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The Horse Crucified and Risen / Film - The Horse Crucified and Risen (Horse Encyclopaedia) by Alexander Nevzorov
10 Subtitle:Luraschi.10.1 A.Nevzorov (off screen): Here is Mr Mario. Mario Lurashi. My teacher – Mario Luraschi. 10.2 A.Nevzorov (off screen): Mario Lurashi. During the last 20 years he is the most successful, demanded and popular master of Haute Ecole in Europe, the master of the horse tricks in cinema, stuntman and the master of horsemanship . The figures of Haute Ecole done by Lurashi’s horse have become not only canonical but also the national pride of France. The old Spanish and the Indians of Lacota and Crow taught him. He has his own Indian name which I can’t say in public due to the tradition of politeness spread with the peoples of the Great Plains. Luraschi’s attitude to the Indian part of his biography is very serious. He was born on Sicily in the communist’s family . 30 years ago he went to France and owing to his amazing skills in horse training he became fameous very quickly. He bought an abbey of the XIIth century near Paris and converted it to the stable for his 50 horses. According to the traditions of Haute Ecole the sense of rhythm of a horse is formed with the help of the Spanish walk, the Spanish trot, balance and courbette. Gymnastic base of Haute Ecole is so strong and universal, it turns a horse into the model of grace so quickly that when choosing a horse, natural qualities of plasticity don’t mean a lot. You can hear a talk between Nevzorov and Lurashi in French. 10.3 A.Nevzorov: Tell me what your choice will be? There are 2 horses. One horse has wonderful natural plasticity, the second one doesn’t have it, but possesses the great ability and desire to study. So, which one will you choose? 10.4 Lurashi: Of course, abilities. No doubt, the second. Because suppleness can be obtained. 10.5 A.Nevzorov (off screen): And this is an absolute truth. He is damned wise. He doesn’t think that he’s accomplished the history of relations between a man and a horse. On the contrary, he believes that he revived Haute Ecole with its set of very complicated elements for a horseman and a horse, and his followers, who are to keep the traditions and secrets of the school must perform all these elements on a horse free from bridles, bit, spurs and any punishment. Besides, a disciple might be hit by a whip at his hands for an abrupt twitch of ‘cordeo’ – a string on the horse’s shoulders – this is considered to be an extreme roughness. The most important elements in Haute Ecole horse training method come from the Spanish walk forgotten now. |
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